Late Night Art, An Unforgettable Experience!
Charlotte Moran escorts us through her inaugural journey across the creative labyrinth that is Late Night Art.
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arts and culture
Review: Our Lady of Tobermore
For our theatregoers, Dáracha McGlynn reviews Luke Fields’ (QUPlayers) Our Lady of Tobermore.
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Superstar: The Musical Biopic Made with Dolls
Luke Doherty sheds light on the unconventional musical biopic which has largely flown under the radar.
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Reading Between the Lines of Belfast’s Future
Following bleak news of another business closure on North Street, Ellie Somers condemns the contradictory philosophy undermining Belfast’s cultural status.
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Braindead (1992): A Forgotten Classic
As we speedily approach the most frightening weekend of the year, Michael Hefferon-Mccone casts our minds back to the early 90s with this hidden zombie-included gem of the film world.
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Is The Traitors Encouraging Us To Be More Deceptive?
There’s hardly been time to come up for air between recent instalments of the popular franchise. Jess Hunt explores whether or not this surge in viewership proves perilous for the faithful among us.
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The Life of a Showgirl: The Encore – is it Curtains for Taylor Swift?
Paighton Kelly-Gittins reviews the four latest (and most polarising) additions to the singer-songwriter’s ever-expanding discography.
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“This could be the last time so get involved”: Oasis’ Latest Farewell Tour, Poorly Disguised Cash Grab or Renewed Love of the Game?
The Gallagher brothers are redefining the “will they, won’t they” trope with the announcement of Oasis Live 27′, a brand new tour for the same old songs. Michéal Haigney challenges the legacy of a band that, more often than not, says one thing and does another.
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The Art of Celebrity Advocacy
In a world where an Instagram story infographic can make or break someone’s career, Anaisha Abraham investigates the widespread fascination with celebrity activism and deifying public figures for championing elementary ideologies.
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Gaeilge on Screen: Why the Irish Language is Resonating With Audiences Worldwide
The 2020s have fostered a fortuitous renaissance of all things as Gaeilge. Following a fifth Irish-language submission to the Oscars in five years, Dáracha McGlynn explores what it is exactly about our native language that keeps audiences coming back for more.
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